A Working Musician’s Manifesto for the Age of AI

While much of our work focuses on platform strategy and business model innovation, the foundation of those models is the relationship between creators and their audiences. This perspective reflects that foundation in the context of working musicians and the current shift driven by AI.

[originally posted on Substack]

Every generation of musicians faces a moment when technology changes the industry.

In the 1980s, the Linn Drum arrived.
Session drummers feared they would lose their jobs.
Some did.

Something interesting happened though.  Drummers did not disappear.
Some learned to use these machines in creative ways by integrating them directly in their sound.  Some tried to emulate what these machines were doing on their real drums.
This seemingly “catastrophic” event actually catapulted the the art of drumming to new heights.  The distinctive styles of drummers like Jojo Mayer, Louis Cole, and JD Beck, to name just a few, are clearly shaped by what drum machines taught us was technically possible.

Then, just when we thought we were safe, in the late 1990s and early 2000s, another disruption hit in the form of file sharing and digital downloads.  This time it hit a different part of the industry.
Music that once required factories, trucks, and record stores could suddenly be copied and shared instantly, for free, across the world.
Physical album sales collapsed and entire business models disappeared.  I still remember the last day of Tower Records in NYC.
Many artists and labels lost their primary source of income.

But then almost like clockwork something else happened.

Musicians began to lean into direct relationships with their audiences through a handful of companies that saw an opportunity.
They built mailing lists, communicated with fans directly, created limited editions, and offered premium experiences.  ArtistShare took it even further and created a model where fans would support the projects directly in exchange for access to online access to the creative process.  The savvy artists created communities instead of just products.
Out of the destruction of the old system came a new model: direct-to-fan.

It’s happening again with AI which is the new “Linn Drum”.

This time though, the technology doesn’t just replace a single instrument.
It can generate entire fully produced compositions and recordings.  Let me rephrase that.  ANYONE can generate entire fully produced compositions and recordings.
The change this time around is much broader and infinitely faster.
However the underlying truth is the same as it has always been:

Technology replaces the generic.
It amplifies the distinctive.

If your work is interchangeable, it becomes cheaper.
If your work is unmistakably yours, it becomes more valuable.

So the question is not whether AI will change music.
It already has.
The question is how musicians will respond.

Here are the principles that have always worked:

  1. Learn the tools early.
    Every musician who survived past transitions learned the new technology, even if they didn’t love it.
    Understanding the tools gives you much more control.  
  2. Move toward what is hard to automate.
    Identity, creative decision, emotion, the music culture, and live performance are not easily replaced.
    Generic background music is.
  3. Own your relationship with your audience.
    Technology generally increases the supply of music.  AI is doing this at an astounding rate.
    The artists who thrive during these transitions are the ones with direct connections to their audience.
    File sharing proved this.
    When recordings became easy to copy and share worldwide, the artists with real communities survived and often grew stronger.
  4. Experiment with AI to supercharge your process.
    Let it help you perform complex tasks, experiment with sound, create quick demos of ideas and produce music faster.
    The final artistic decisions should always still come from you.  Spend some time with it.  You may surprise yourself.

There will be fewer opportunities for generic, interchangeable music work.
That is the truth.

But there will always be room for artists who are:

  • Distinctive
  • Authentic
  • Skilled
  • Adaptable
  • Connected to an audience

The profession of “musician” has survived every technological shift in the last hundred years.
Through these shifts, music has never stayed the same, but it has never disappeared.

Your job is not to fight with the future.
Your job is to shape it.

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